Some of you might wonder why do I keep complaining about Premiere Pro, and not move to some “more professional” software like FCP or Avid.
It so happens that there is a number of features that Premiere Pro has, which make it a really great tool for video editor like me who often needs to work on a project from start to finish – from ingest to distribution – under a relatively tight time constraints.
I like the fact, that I can do 90% of my audio in Premiere Pro – it has basic mixing tools, automation and support for VST plugins for whole audio tracks, works in 32-bit, and even though the basic plugins are of mediocre quality, one can always supplement them with more advanced ones, and the output is usually acceptable. I certainly could achieve better results in Audition or Protools, but in most of the cases there is no need to. Also there is no problem with importing most of the audio files format (good luck handling mp3 files in FCP), although again Mac version does have some strange issues with audio that was not sampled in 48k, and the workaround is simply moving to PC or converting the files. It might be hard if your operator used 32k sound though…
Speaking about various formats – CS5 is really amazing at handling almost anything that you throw at it – image sequences, AVCHD, AVCCAM, DVCPRO, XDCAM, RED footage… Call it what you will, PPro will swallow it, and allow you to work with it without the need to transcode the files. If you want a professional intermediate, you can always obtain Cineform codec or on Mac even use ProRes. But there is no need to – and it is a huge timesaver.
It is especially true with CS5 and CUDA graphic cards. I put a few XDCAM EX clips in a sequence, and on an i7 PC with GTX 460 I threw some of the color correction filters that I routinely use. Fast Color was a blast – no wonder, it always is. Luma Curve was a blast – nice. Three-way color corrector – no problem. Seven additional Three-ways? You bet CS5 could handle them in real time. It gave up only after I threw four more Luma Curves just to see how much is too much. I got a few seconds of playback, and then it stopped. Whew. Essentially, anything that I would be needing will be handled in real time… on a PC. If I wanted the same for Mac, I would either have to buy an outdated and no longer supported nVidia 285 or a Quadro which costs over $1000.
Color correction in Premiere is certainly not as easy and streamlined as in dedicated tools like Color or daVinci, and I must admit that basic CC is much better resolved in Avid, but still, you do have presets, you do have most of the tools that you need (basic color corrector, three-ways with secondaries, luma and rgb curves, keying and other important stuff). There are a few things missing – vignettes or saturation curve – but these can be remedied by installing additional plugins like Colorista.
I must admit, that I miss real-time scopes. All the scopes are present in Premiere, but they don’t update during playback, which is a pity. Kudos go to FCP for having those, and also for icons on color correctors to copy settings to next or second next clip on the timeline. In Premiere changing your settings in the clips is a little more troublesome. However, at least you don’t have to double click them to see their effects control window, like you have to in FCP.
Premiere also has great management of render files. FCP can loose them upon any movement on your part, and if you combine it with the FCP’s tendency to force you to render almost anything that is not a color-corrector or a transition, it can be a major drawback. Premiere remembers the position of files and filters, and there is always a chance of going back, if the clips realign themselves properly, even in a different place in the timeline. Huge, huge advantage.
What I like about Premiere the most though is that it is really the most flexible editing software that I have ever used. FCP is not so close second, Avid, even with the recent updates, still lags far behind. Work really goes fast (when there are no nasty surprises on the way), much faster than in the rest of them. Even though I’m pretty proficient in operating both FCP and PPro, I find the latter smoother, quicker and more intuitive to work with.
Therefore the only reason I’m whining so much is that this certain piece of software could have been much more reliable, and much better, if it was free from the bugs and weird gotchas that tend to happen from time to time. And if the Mac version did have all the plugins and transitions that are available on PC… oops, I did it again. Sorry